Fortunately, the
on-screen menu is easier to navigate, which makes initially setting up the TV a
simple process. If you want a good picture, make sure you disable many of the
enhanced feature modes. Doing so will make the picture substantially brighter,
as well. You can’t save separate picture adjustment settings for each source,
though, which is too bad.
Where the JVC HD-ILA TV really shines, however, is
in its picture quality. For one, the TV is exceptionally bright. Even with the
window shades open and sunlight streaming into our test room, the picture has
plenty of snap. With the Smart Picture mode turned off, we measured 60
footlamberts coming from the screen. This is bright. When we turned this mode
on, light output doubled. Shadows and black portions of the image had excellent
detail, yet were dark enough in either mode to give the picture plenty of depth.
The set’s gamma measures slightly lower than our reference TV, but had no
overtly perceptible negative impact on the image.
The picture is equally as
colorful. Both high-definition and DVD content looks vibrant on this display.
Discovery HD was downright addicting, thanks to the combination of bright colors
and subtle hues available in its high-definition broadcasts.
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| Despite how many high-end video inputs you’ll find on the HD-61Z886, the remote
does nothing to help you get to them. An automation remote might make things
easier, but programming the remote might prove difficult. |
Measurements
again backed up the visual assessments, indicating that the set accurately
reproduces nearly all colors. Darker images tend to be slightly more red than
brighter images, a characteristic that unfortunately can’t be removed with
professional calibration, but is not detrimental, regardless.
The
HD-61Z886’s video processing––another critical aspect of a TV’s performance––is
good, though not necessarily on par with the rest of the display’s performance.
The processor adequately converts low-resolution signals to the TV’s native 1366
by 768 resolution and only looks soft with poor quality signals from our digital
cable box. It detects, albeit slowly, material that has been converted to
video’s 30 frames per second rate from the original 24 frame film. The processor
then appropriately compensates for the extra frames, eliminating many picture
distortions that can otherwise occur, so long as the source material’s frame
rate doesn’t change quickly. Unlike many other displays, this one appropriately
deinterlaces 1080i high-definition signals into a 1080 line progressive signal
before fitting it into the panel’s 768 line vertical resolution. This helps
preserve as much apparent detail in high-definition signals as possible and is
something that even more expensive processors don’t do properly. Serious
videophiles might consider adding a high-end outboard processor to the TV for
standard-definition sources, but the vast majority of users will likely be more
than satisfied with the image as it is.