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WHOLE IN ONE Along with fat-free potato chips and bad toupees, surround-sound systems that use only one speaker are the kind of thing where the solution could well be worse than the original problem. Usually, a simple two-channel setup will provide a more satisfying experience than many of the ill-conceived attempts at creating some kind of pseudo surround sound. Cambridge SoundWorks, however, has a long-standing reputation for coming up with terrific-sounding products that deliver the steak, without resorting to the sizzle of a lot of bells and whistles, so its first entry into this category demands careful scrutiny. The complete SurroundWorks 200 system actually consists of three parts: a one point multichannel speaker, a subwoofer, and a DVD player/receiver combo unit dubbed the AVS600. Hooking them together couldn’t get much easier, with a total of two wires connecting the components, plus an additional cable that you provide to send the video signal to your TV. Three sets of A/V inputs make it possible to integrate other components such as a cable box or satellite receiver and a VCR, while a 5.1-channel analog audio output gives you the option of using the AVS600 as part of a more standard surround rig down the road. The single disc player will handle various formats including DVD-Audio, DVD+/-RW, and MP3 while a 40 preset AM/FM tuner rounds out the package. Remotes have often proven to be a difficult area for manufacturers to get right, and the AVS600’s remote is a bit of a mixed blessing. On the upside, this is one of those preprogrammed multicomponent deals that can operate up to four additional pieces of gear. Unfortunately, the buttons are small and poorly labeled, and the confusing layout takes plenty of getting used to. Luckily, everyday operation of the AVS600 is simple, and the on-screen menu system can be operated using any of the outputs, including component video. Unlike some of the latest receivers, the AVS600 will not convert video signals between composite, S-video, and component, so you may need to use multiple inputs on your TV to get the best performance from various components you connect. All of the expected surround modes are
available, including Dolby Digital, Dolby ProLogic II, and DTS, but there are
none of those fancy DSP modes of questionable value with names like Stadium or
Jazz Club. (Remember what I said about no sizzle, only steak?) To generate a
convincing surround effect, the SurroundWorks speaker uses a trio of wide-range
drivers, one facing directly forward for the center channel, and a pair facing
out the sides for the main left and right channels. The incoming five-channel
signal is manipulated using something called Binaura Audio Surround Processing
to get a convincing sense of envelopment for the surround channel signals, which
are then delivered using a calculated combination of all three drivers. For the
processing to work properly, the speaker should be positioned just above or
below the TV, in a place that allows the side-mounted drivers to fire into the
room without obstruction. I sat the speaker on top of my direct-view TV.
Flat-panel users will find that the SurroundWorks is squat enough to sit in
front of a tabletop screen without blocking the picture, and an included wall
mounting bracket provides further options. With all of the sound except for the
deep bass coming from a single point in the room, many of the normally required
setup adjustments for things like channel balance and delay simply don’t apply
here, and the only setting that needs to be tweaked is the subwoofer level. A
switch on the top of the speaker is provided to control the surround modes when
using components other than the AVS600, but these settings are controlled
automatically when you use the complete package.
I connected the video from my HD DVR through one of the Soundworks’ wideband component video inputs and sent the DVR’s audio to one of the 200’s two digital audio inputs. After the visual performance passed a few video torture tests with no significant problems, I loaded up The Lord of the Rings: The Two Towers and was struck by how this little system remains loud and clear even when you crank the wick up a good way. Dialog was particularly clear and smooth, with no evidence of the bright and screechy sound you sometimes get when a system is trying to sound bigger than it is. While the surround effect lacks much of the specificity and directional cues you get with a 5.1 rig, it does give a credible sense of envelopment, without that phasey, out-of-your-head effect you sometimes hear from other virtual surround systems. Rounding out the sound is the little baby-sized subwoofer, and like most babies, this one can crank out a whole lot of sound. Tuned more for impact than for floorboard rattling extension, the sub mated beautifully with the main speaker, providing the kind of blend that’s difficult to achieve with a mix-and-match combination of components. Playing
a selection of music CDs provides the same sort of smooth and non-fatiguing
sound that I get from movies, although here I found myself missing some of the
discrete separation and spatial abilities of a conventional system a little bit
more acutely. The sound is certainly pleasant and easy to listen to over a long
period, but I feel that it is just a little harder to sit down and get truly
drawn into the music the way you can with a good stereo rig. RATING: ELEVATED Description: Cambridge SoundWorks SurroundWorks 200 High Points: Super easy setup; sounds better than you might expect Low Points: Five speakers will still give you a much more convincing surround effect; fiddly remote Contact: Cambridge SoundWorks, 800.367.4434 www.cambridgesoundworks.com Price: SurroundWorks 200 Virtual Home Theater System $999.99 |